My Own Past

In late eighteenth-century Havana, residents frequently referred to the existence of large communities of negros and pardos as 'officers in the trade of painter' and the authors of 'exquisite works.' But who are these artists, and where can we find their works? What sort of works did they produce? Where were they trained, and how did they master their crafts with such perfection? By centering the artistic production and social worlds of artists of African descent in Cuba since the colonial period, this revisionist history of Cuban art provides compelling answers to these questions. Carefully researched and cogently argued, the book explores the gendered racial biases that have informed the constitution of the Cuban art canon; exposes how the ideologues of the slave owning planter class institutionalized the association between 'fine arts' and key attributes of whiteness; and examines how this association continues to shape art historical narratives in Cuba.

• Recovers the existence and contributions of numerous unknown artists of African descent in Cuban art history
• Highlights how dominant historical narratives of Cuban art were consciously produced by actors invested in white supremacist visions of the nation
• Challenges the established art canon and suggests new possibilities for collecting and research