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Technological advances and new legal frameworks are creating a transition toward inclusive publishing practices, but systemic barriers continue to limit equitable access to books for millions of individuals worldwide. Scholarship has also moved slowly, leaving a significant gap in our understanding of the strategic, technological and ethical dimensions of inclusive publishing. This Element offers the first holistic examination of this landscape, and argues for the need to move away from ad hoc remediation of books towards the commercial production of 'born-accessible' content. Through policy research, industry case studies, and strategic partnership mapping, it critically examines the rationale, implementation, and potential of inclusive publishing. 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This decentres print as the means for understanding publication; instead, publication is seen as an heuristic term which identifies activities these traditions share, but which also differ in ways not reducible to comparisons with printing. The Element engages with texts written on papyrus, chiselled in stone, and created digitally; sung, proclaimed, and put on stage; banned, hidden and rediscovered. The authors move between Greek inscriptions and Tibetan edicts, early modern manuscripts and AI-assisted composition, monasteries and courts, constantly questioning the term 'publication' and considering the agency of people publishing and the publics they address. The picture that transpires is that of a colourful variety of contexts of production and dissemination, underlining the value of studying 'unprinted' publication in its own right.\u003c\/p\u003e","brand":"Cambridge University Press Bookshop","offers":[{"title":"Default Title","offer_id":56668833644930,"sku":"9781009545310","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0475\/2031\/7597\/files\/9781009545310i.jpg?v=1779635219"},{"product_id":"pamphleteering","title":"Pamphleteering","description":"\u003cp\u003eThe 'Pamphlet Wars' of the seventeenth century, the activist texts of the Labour Movement, and the recent campaigns for climate justice have all drawn on the affordances of pamphleteering to advance their cause: pamphlets circulate across geographical boundaries and social divides, they attract a readership that is usually excluded from the classical public sphere, they can be produced at low cost, and they often provide anonymity to their authors. This Element provides a brief history of short-form polemical literature from the Reformation to the present. It argues that popular dissent and popular political agency must be understood in light of the material and, more recently, digital history of polemical literature. It makes the case that current online polemic is best understood as a late infrastructural transformation of classical and modern pamphleteering. This title is also available as Open Access on Cambridge Core.\u003c\/p\u003e","brand":"Cambridge University Press Bookshop","offers":[{"title":"Default Title","offer_id":56668834726274,"sku":"9781009550352","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0475\/2031\/7597\/files\/9781009550352i.jpg?v=1779635336"},{"product_id":"behaviour-beyond-the-text-and-the-morality-clause-in-twenty-first-century-publishing","title":"Behaviour Beyond the Text and the Morality Clause in Twenty-First-Century Publishing","description":"\u003cp\u003eA morality clause allows contracting parties to terminate a contractual agreement with those who exhibit behaviour deemed unacceptable. Established in 1920s Hollywood, these contractual clauses are now found in twenty-first-century publishing agreements. This Element investigates the presence of the morality clause in the UK book publishing industry in relation to an increased focus on author behaviour beyond the text in the twenty-first-century, examining the way it operates within the publishing field in the context of behaviour perceived to be 'problematic'. It asserts the clause is perceived to be needed due to the emergence of social media and twenty-first-century social contexts combining to impact the author-reader relationship which, in turn, leads to author behaviour acting as a paratextual threshold to their work. This Element presents an analysis of the morality clause in practice, concluding the clause has the potential to further the power imbalance between author and publisher.\u003c\/p\u003e","brand":"Cambridge University Press Bookshop","offers":[{"title":"Default Title","offer_id":56668838101378,"sku":"9781009573177","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0475\/2031\/7597\/files\/9781009573177i.jpg?v=1779635691"},{"product_id":"art-books-for-the-people","title":"Art Books for the People","description":"\u003cp\u003eThe Penguin Modern Painters (1944–1959) was a groundbreaking series of British art monographs designed to promote the work of contemporary artists to a general readership. In examining the factors that influenced the wartime conception and development of the series, this Element makes a contribution to the understanding of the relationship between publishing and the visual arts during the Second World War. The study argues that the emergence of The Penguin Modern Painters was inextricably linked to the aims of British wartime cultural policy and the ideology of the pre-war adult education movement. The key personalities involved are identified and their multiple and often conflicting motives analysed to provide new insights into the shifting perspectives of Britain's elites regarding the way that art was presented to the public in the 1940s. This Element provides a foundation on which further study of twentieth-century art publishing in Britain might be developed.\u003c\/p\u003e","brand":"Cambridge University Press Bookshop","offers":[{"title":"Default Title","offer_id":56668838297986,"sku":"9781009578141","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0475\/2031\/7597\/files\/9781009578141i.jpg?v=1779635724"},{"product_id":"asexuality-in-young-adult-fiction","title":"Asexuality in Young Adult Fiction","description":"\u003cp\u003eThe Asexual Exile trope positions asexual characters outside of society by portraying them as loners, inhuman, or adjacent to death. This research identifies trends in these portrayals by considering a corpus of 42 traditionally published novels of Young Adult fiction featuring asexual protagonists. A distant reading of this corpus finds that the Asexual Exile trope is employed in approximately two-thirds of cases. The author analyses how this trope permutates across genres, and the frequency of its endorsement and subversion by these narratives. Presenting the first extensive investigation into the Asexual Exile trope in YA fiction, this research investigates how asexual characters are Othered as not truly alive, and how these messages then rebound into necropolitical cultural understandings of asexual people as expendable. The results prompt the questions: how does the Asexual Exile trope influence Young Adult readers in the formation of their ideologies? How can publishers do better?\u003c\/p\u003e","brand":"Cambridge University Press Bookshop","offers":[{"title":"Default Title","offer_id":56668838625666,"sku":"9781009582735","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0475\/2031\/7597\/files\/9781009582735i.jpg?v=1779635775"}],"url":"https:\/\/www.cambridgebookshop.co.uk\/collections\/publishing-bibliography.oembed","provider":"Cambridge University Press Bookshop","version":"1.0","type":"link"}